A recent graduate of the Chicago Opera Theater young artist program, Quinn returned to COT as a professional artist in 2018-2019, covering Marta in Tchaikovsky’s Iolanta and singing Mother in The Scarlet Ibis by Stefan Weisman and David Cote.

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Other appearances with COT include Kevin Puts’ and Mark Campell’s Elizabeth Cree, Purcell’s Fairy Queen, Frank Martin’s Le vin herbé and Philip Glass’s The Perfect American.

other recent appearances include

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Susanna in The Ghosts of Versailles with Chautauqua Opera

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Cercatrice in Suor Angelica with St. Petersburg Opera

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Dorabella (cover) in Così fan tutte with Central City Opera

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Songe in Ariane et Bachus with Haymarket Opera

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Rachel in The Great God Pan with Chicago Fringe Opera

Quinn is delighted to join Utah Opera as a resident artist in 2019-2020.

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There she will appear as Flora in La Traviata

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Madeleine in Puts’/Campbell’s Silent Night 

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Myrtale in Thaïs 

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Rosina (cover) in Il barbiere di Siviglia.

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"This is a voice.

Congratulations to whomever cast Middleman in this role, which could have easily turned camp, but in Middleman’s hands feels visceral and authentic."

-Oliver Camacho, Vocal Arts Chicago